Edy – Edyonthebeat (13th Floor Album Review)
Pacific Music Award-nominated producer EDY is thrilled to announce the long-awaited release of his debut album, EDYONTHEBEAT LP. And here is the 13th Floor’s own Eddie to give it a spin.
Pacific Music Award-nominated producer EDY is thrilled to announce the long-awaited release of his debut album, EDYONTHEBEAT LP. And here is the 13th Floor’s own Eddie to give it a spin.
Demons of Noon, matured under four lockdowns, inspired by Black Sabbath, Mazzy Star and evincing a similar approach to music as the Melvins. Demons of Noon have, after a steady stream of digital singles, cracked the big one with a full-length album, not just in digital format, but also on vinyl.
French For Rabbits have just released their new EP titled In The End I Won’t Be Coming Home. The 13th Floor’s Eddie Kitchin has had a listen. Here are his thoughts:
Andrew Bird…his 15th solo album, Outside Problems, is a cheering and improvisational album that plays freely in the auditory outdoors.
Troy Kingi serves up number seven in his 10-10-10 series. The genre this time? He calls it “ambient instrument vibe”.
Following up 2020’s Grammy winning album Starting Over might be a daunting task for some artists, but for Chris Stapleton his new Higher sounds easy like a Sunday morning.
If this is the last time, Mick & Keith have made it respectable. Actually Hackney Diamonds is more than just respectable; it may be the best Rolling Stones album since Some Girls.
Forty-six years after it was originally meant to be released, Neil Young’s Chrome Dreams finally sees the light of day.
Brother Sister are On A Roll with this, their third EP. Yes, the Thomson trio are back with their own take on 80s-inspired synth-pop.
The Pretenders, or more accurately, Chrissie Hynde, has just released Relentless, the “bands’” 12th studio album, one that finds the 72-year old rocker in fighting form.